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November 18, 2008

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J.J. Merrick

This is a great microphone. We use it to record presentations via Adobe Connect for the Nashville ColdFusion User Group and we always get compliments on how good the sound is. For $100 it is a great all around "speakerphone" type mic.

Other uses could be for Skype, iChat, Podcast roundtables etc.

jeramy

great video. thanks guys!

StrobeAlific

Guys, a couple of corrections. Switch mode 2 for a -10dB pad is for loud sources, it will not affect your noise ratio in the room you are in. Also, the mic is cardioid not figure-8...so to record two people it should not be facing one person with the back to the other person as shown in the video. The face of the mic should be forward toward the camera with mode 3 selected.

Ron

Just to clarify... the Microphone was used for the vocals only, and not the piano... or was it used for both?

Gunk

Yes, the mic was only used for Vocals. We went midi into garage band and used the standard piano. If you have any other questions about this just let me know.

Thanks for the extra clarification StroveAlific. The pad is for loud sources, we found that the snowball helped reduce room noise when the air was blowing and thought we would mention it for practical purposes. The 3rd position is for Omni mode and not a figure-8 patern.

Samuel

wow. . . Sounds really Good. I want to get it.

Dave Beach

Now that's a great practical review that enables people to take advantage of a great product at a great price. Thanks Guys! What an incredible resource! I ordered mine as soon as I read the email.

John

This combo product is not available for canada right ?

Valerie

Does anyone know what the system requirements are for the Tracktion 3 software that comes with the Blue Snowball offer from Costco? I can't find the details.

Operating System
Processor
RAM
Hard drive space
Thanks.

John Donahue

I have had a Snowball now for almost a year. It is an incredible microphone for almost any situation. Literally, my snowball, a MacBook and a decent room and you have an instant recording studio. It really is that simple.

I am looking forward to purchasing one or two more, when the tax return comes and I finally get to replace my dead iBook with a new MacBook Pro. Then I will be able to do cut down the number of sessions I am having to record in order to finish each track.

Though it is not necessary, and you have to purchase it through a third-party vendor like Sweetwater, Blue also makes a ring shock mount, called "The Ringer", that not only makes the Snowball look supercool, but may on the outside chance extend the life of this extremely incredible piece of technology.

But there were a few really important facts missing from your article: There are three individual types of microphones housed inside of the Snowball (a cardioid, a cardioid with -10dB pad and an omnidirectional), and those microphone standards are actually analog microphones whose units are individually wound, not microchip simulated.

This is not a microphone for just Generation X. It is a microphone that Soundtech purists of any age can truly wrap their head and their hearts around because it is not a digital microphone. It is a true war chest of analog mics backed up by a pretty powerful digital signal converter.

John Donahue

Now I am just looking for an Anvil or Anvil-like case to put my Snowballs and Ringers shock mounts (with stands) in so they won't get damaged when I haul them around from place to place.

Anybody got any suggestions?

Kyle

I'm kind of new to the recording gig, but this thing looks fantastic. How well will this thing pick up a guitar? Is there a easier/better way to input a guitar track into a computer?

Jimi Williams

Hi Kyle, our writers have used this mic for vocals and guitar and it really does an amazing job.

Scooby

CLARIFICATION:

Make no mistake – the mic is great…period…but…

The software that comes with this package is NOT the $100 version as shown in the Costco ad! It’s the cheap version which does NOT include the loops and other bells and whistles that make the software good to begin with. It’s a basic version that is given out for free with other Mackie products and their intention is that you’ll figure out you’re missing everything that makes the software great and then upgrade. Again the mic is great and it’s still a good deal because of the headphones; however, it’s not as good a deal as it sounds due to the missing software.

See for yourself at Mackie’s website which shows the software versions. Comes with the basic bundle as shown here …

http://www.mackie.com/products/tracktion3/index.html

Scooby

CLARIFICATION:

Make no mistake – the mic is great…period…but…

The software that comes with this package is NOT the $100 version as shown in the Costco ad! It’s the cheap version which does NOT include the loops and other bells and whistles that make the software good to begin with. It’s a basic version that is given out for free with other Mackie products and their intention is that you’ll figure out you’re missing everything that makes the software great and then upgrade. Again the mic is great and it’s still a good deal because of the headphones; however, it’s not as good a deal as it sounds due to the missing software.

See for yourself at Mackie’s website which shows the software versions. Comes with the basic bundle as shown here …

http://www.mackie.com/products/tracktion3/index.html

Bubba

Well...I appreciate you guys passing this deal along but it's a little misleading. It's not a $240 value! The software is just the basic entry level version, not the project version which you stated is about 100 bucks! That is incorrect. The mic is still good but the software is plainjane. However, keep letting us know if there are other good deals.
God bless!

Fred

Great mic. Maybe just one thing to mention. It will NOT work with Windows Vista. I've searched around to try to get upgraded drivers for VISTA, and cannot find them anywhere. If anyone knows of a fix to get the Snowball working on Vista, let me know. Thanks
Fred.

Greg King

Hi. I stumbled upon an Amp v simulator discussion -tried to post but would not accept it? I hope this helps with people considering this choice. Cheers, Greg ---cut------ I have played live and recorded a bit over time too and yes - there is a difference re sounds of amp vs all in one units. My first was a Korg A3 etc in about 1986? Things have come a long way since thankfully.
Re the Amp sounding better - please consider that:
1. When you listen to an amp live - it is a part of a chain. It will vary considerably due to room size/ construction/ interaction with people in the venue / amp location and angle. Add to this mic/ DI / Mixer (board)speakers/amps, engineers, cable choice etc etc.
2. When that amp is recorded (eg: a sound you hear on CD that you like) the amp is a product of all the above and various mic preamps, compression - broadband and multiband, eq, various analog and digital stages to eventually get to your ears via headphones or studio monitors / or other monitors etc. ALL these factors have their own sonic imprint on the sound.
3. Phsycoacoustic effects - and other intangibles ranging from phase annomalies to your perceptions linked to a time and place etc. I have had the luxury of recording amps and guitar amp simulators and then evaluating. If the client has lots of time and $ the amp/mic scenario can be rewarding - but - it can also be very frustrating as you chase your sonic nirvana. I have had a real big hassle with the X3live but have persisted (3rd or 4th fix / unit now - under warranty fixes thankfully) and there are some very usable sounds if you are patient and edit for days / weeks / months :) One big benefit with this is the downloads of presets - listen / save etc. I went through line6 presets the other night (56 pages of 50) and I will find about 30 from these that I will possibly modify and keep. Time or $ for all that firepower/ choice in real gear would be impossible for me in real time - let alone instant recall for clients. I have managed to be resonably happy with this unit in live settings (preferably NOT through an amp - rather through a clean un eqed monitor) and would almost always chose this setup as I can use tweaked sounds live and I know how good they sounded in the studio so if they are slightly different live - it must be the venue / mixer/ engineer / monitor / etc. At least the people listening will have the closest thing that I have approved of as a starting point :)
Hope this helps with your discussion,
Regards, Greg King

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